Cole And Son

Satara Camp in Kruger National Park is known for its Big Cats. It was here that a magical scene of a mother leopard and her cub climbing into a tree was witnessed. Sataracaptures the leopard's fiercely protective maternal instinct as she helps her cub to the next branch.

This peaceful design includes fans of leaves and curving trunks and vines, all richly ornamented with precise stripes and scallops. The leopards' fur has a more untamed pattern, in tawny orange, soft metallic gold and bronze, as well as a ghostly mica sheen, as if in a dreamscape.

The much-loved Chiavi Segrete combines two influential Fornasetti motifs: mystical, dense leaves concealing golden, antique keys.

This fanciful design has a magical quality, drawing the eye through and around the leaves to discover each of the ‘secret keys’ hidden within. Muted shades give way to true-to-life tones of spring undergrowth, with seasonal twists of autumnal leaves and wintery greys.

Taking its name from the peacock genus, Pavo Parade is an opulent host of metallic-toned peacocks. Their subtly ombréd trailing tails pay homage to a technique pioneered by Cole & Son, whilst the subtle framing of the design creates a panel-like effect emphasising the birds' grandeur.

Rich, lustred colourings of Metallic Silver on Denim; Metallic Bronze on Midnight; Metallic Gilver on Racing Car Green; Metallic Gold on Soot; as well as the arresting Metallic Petrol on Ink make this design a lavish interior option.

The inspiration of this print is ‘Sole di Capri’ a design created by Piero Fornasetti in the 50s. Piero Fornasetti long had a passion for Capri and created this iconic design from his imagination, before ever having visited the legendary island. Piero eventually took the family there on holiday and, during the 1960s, also opened a temporary Fornasetti boutique on the island.

The original print is a combination of personified suns and stylized architecture, both typical of Fornasetti. The idea of pairing personified suns and clouds appears for the first time in a sketch for a headscarf that Piero drew in 1950. It is now a whimsical all-over print, bringing a unique quirk to an interior.

Every single image is a source of inspiration, a starting point that may lead to infinite variations. This is the very principle on which most of Piero Fornasetti’s work relies. Fruit has prominently sat amongst his themes and designs since the 1940s and are present on many atelier items.

Monkeys appear throughout the Milanese Atelier’s work and, for the first time, are available emerging from the dense foliage of Chiavi Segrete. The playful composition of flora and fauna is quintessential Fornasetti, with the delicate organic study juxtaposed by the hiding primates.

The owl, forever associated with darkness and gloom, can see and move deftly in the dark, hence its symbolism as the embodiment of wisdom and foresight.

This ambivalent and mysterious symbol fascinated Piero Fornasetti, who used it as a motif on numerous accessories and porcelain items.

The ‘Ortensie’ design is based upon the abundant hydrangea bushes that grow in the garden that surrounds the Fornasetti house in Milan.

Piero Fornasetti created this design in the 50s applying it to numerous tables and trays.

Depicting a wonderfully exuberant tree of life, inspired by the Palace of Fontainebleau outside Paris, Fontainebleau comprises leafy stems upon which a flock of exotic and colourful birds perch.

This striking design is presented in colourways of rose pinks on duck egg and fuchsia and emerald greens on a neutral ground.